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HomeMusicTake a musical second for singer Rina Sawayama's new album : NPR

Take a musical second for singer Rina Sawayama’s new album : NPR


Laura Snapes, music editor for The Guardian, opinions Sawayama’s “Maintain the Woman.”



MICHEL MARTIN, HOST:

Pop singer Rina Sawayama made a splash together with her debut studio album in 2020 the place she processed her fish-out-of-water experiences as a Japanese British lady by means of a contemporary electro-pop sound. So her sophomore album, “Maintain The Woman,” launched on Friday, was a lot anticipated. However Laura Snapes, the music editor at “The Guardian,” says the singer’s newest launch would not ship on its potential.

(SOUNDBITE OF SONG, “HURRICANES”)

RINA SAWAYAMA: (Singing) Doing yoga simply to really feel untethered, however my thoughts retains ru-ru-ru-running (ph) away.

LAURA SNAPES: It is a actually attention-grabbing second document by any person who you’ll be able to inform is capturing extremely excessive as a result of she laid such good foundations together with her debut album. However I feel, sadly, the ambition has form of been delivered to bear on it in a method that every thing is simply extremely extreme. It is all so dialed up.

(SOUNDBITE OF SONG, “HURRICANES”)

SAWAYAMA: (Singing) So gained’t you give me an indication when you’re actually there? ‘Trigger I have been misplaced inside ready on a prayer till I discover your door, till the wind blows north. I am operating, I am operating, operating into hurricanes.

SNAPES: I feel she will get misplaced in the midst of it, which is gloomy as a result of the album known as “Maintain The Woman,” and the idea of it’s her reconnecting together with her youthful self as a technique to take care of varied traumas that she’s skilled, whether or not that be form of intergenerational trauma or assimilation or homophobia. One of many causes individuals love Rina Sawayama is as a result of she is so distinct, and folks have been very excited by that. And I feel that a variety of her specificity actually will get drowned by the quantity of the brand new album.

(SOUNDBITE OF SONG, “THIS HELL”)

SAWAYAMA: (Singing) Noticed a poster on the nook reverse the motel – seems I’ll hell if I carry on being myself. Do not know what I did, however they appear fairly mad about it. God hates us? All proper then – buckle up, at daybreak, we’re driving.

SNAPES: So “This Hell” is the lead single off “Maintain The Woman.” And as you’ll be able to hear, the transient is just about Shania Twain meets Girl Gaga.

(SOUNDBITE OF SONG, “THIS HELL”)

SAWAYAMA: (Singing) This hell is best with you. We’re burning up collectively, child, that makes two. ‘Trigger the satan’s carrying Prada and loves a bit drama, ooh-ooh (ph). This hell is best with you – with you, with you.

SNAPES: It is emblematic of one of many issues of the document, which is that it would not actually exceed the sum of its components. It is Shania plus Gaga. There’s references to “The Satan Wears Prada.” And for me, that is one of many issues with this document. It is consistently winking at you the place it is similar to, hey, bear in mind this? Hey, bear in mind this? It is like when “Stranger Issues” is like, hey, guys, bear in mind the ’80s? It is the ’80s. Have you ever seen “E.T.”? Have you learnt “The Goonies”? It is simply all of those references, and I discover them very distracting. And he or she would not do something with them other than cobble them collectively.

(SOUNDBITE OF SONG, “CATCH ME IN THE AIR”)

SAWAYAMA: (Singing) I ran away, the place clouds kiss the mountain peaks. I used to be afraid, however you set the wings on me.

SNAPES: “Catch Me In The Air,” I feel, is likely one of the more practical, audacious moments on this document. It has quite a few key adjustments in it. It is rather nakedly influenced by The Corrs – the Irish, like, brother-and-sister band, who have been very massive within the ’90s, actually within the U.Okay. You can too hear schlager, which is a German type of very theatrical balladry. You’d assume Eurovision. I imply, this album is extremely, extremely Eurovision.

(SOUNDBITE OF SONG, “CATCH ME IN THE AIR”)

SAWAYAMA: (Singing) I am flying. Twenty years on their lonesome, sure collectively to the bone – was it destiny? Watched you embellished on the partitions, made a jail of our house – no escape.

SNAPES: And it is this anthem of therapeutic. And I feel it is fairly wealthy, and it’s fairly sentimental. However I feel there she pulls off this big, hovering, nearly yodeling refrain, which is so audacious and outlandish, you type of can not help however give it to her. I feel that that is likely one of the more practical, intense sides of the document.

MARTIN: That was music editor Laura Snapes discussing Rina Sawayama’s newest album, “Maintain The Woman.” It is out now.

(SOUNDBITE OF SONG, “CATCH ME IN THE AIR”)

SAWAYAMA: (Singing) So catch me within the air. Mama, have a look at me now. Catch me within the air.

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NPR transcripts are created on a rush deadline by an NPR contractor. This textual content might not be in its closing kind and could also be up to date or revised sooner or later. Accuracy and availability might range. The authoritative document of NPR’s programming is the audio document.

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